CANTO 14 Soul-struck survivors
Soul-struck
survivors quake below the half-moon
of unintended anticipation. Let me wake
alone
to sarabands and indolent daystars where
elves
develop elementary systems of ukelele
instruction
and the quag mires in paths predetermined by
syntax.
Ullaloo. Subject matters. Verb tension. Coeval
adjectival.
Let no burden sway the ministry of
self-defense,
or no thought harden the bambis of occult
forelegs
that stagger to suck. Swivelling from a base
of no-word’s land, let all trumpets cry that
WRITERS debase a word’s currency. Totems
fall
with counterfeit atmans.
The language cone has slippery
sides gleaming with the facets of many lands.
Yet semantic grease makes the county fair
a lot less interesting when all yokels bedevil
the same pig beneath the lard.
The cone takes as its topographical base all
the
sea-slugs, anemones, and farthings-worths of
every
culture’s lies of tissues, mutating
undergrowths
of vining and vinyl verbiage, the whole stock
of the unlocked barrel, and ascends toward a
tip
of common roots, culminating in an unconceived
universal tongue; which cone
is more volcanic than Pythagorean, a pimple
on the face of geologic time whose systemizing
is but system-mixing, cystemic, cysterhood,
a bandage over badinage, a badminton of coin
of exchange,
hence the problems of translation and all the
cruxes and crevasses up the slopes,
slung up from the dregs of a desperate slice
of an instant so thin you can see the
molecules bulging;
this a sly way of suggesting that punning and
unexpected
(chance) collocations of words reflect,
typify,
emblem-ize the interpenetration of time,
space,
and matter; this interpenetration so alive in
the
rhapsodic formulations of romantic poets:
in the meanest flower blows clouds of glory
trailing a grain of sand come into being now.
Living and cross-fertilizing in Brownian
monologues
of molecular jigs, in cyclotronic discoveries
of particles and participles among the
disciples
of the wonderful instant revelations of mind,
in sutra-ing the incisions
of the body-soul symbolist doctrine
of correspondences as in the songs of Yeats
and in colleges of Neo-Platonic schizophrenics—
collocation of the most cunning concatenations
of Mind,
the broad-sided avenue where McClure,
Coolidge, and Castaneda meet,
where Berrigan dreams Bugs and Charlie Parker
strikes it up with Coltrane while Bergman and
Fellini
fenestrate a film where Jung flings I CHING
coins
into a fountain where a marble Caligula sings
a Cole Porter ballad about torrid slime-mold.
And there are other cones: cones, triangles,
spirals, vortices, funnel-clouds,
storm-systems,
galaxies, abound; but I thought of them as
cones
or the whole bag, ball of wax, the ultimate,
the unrepeatable illimitable untranslatable
WINDMILL.