CANTO 1 Hung-up and dried

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CANTO 1 Hung-up and dried

Hung-up and dried in the tent, on a misty glum morning,

full in retreat from academia and domesticia,

this lonely quest I ply, two-ply, four-ply polyester tread,

to follow Buddha, see through illusion my brittle self.

 

Slowly then and with plodding keys, the gas lantern

frothing off its hiss of light, typing hard lines

down the halls of my soft thoughts. Not looking back,

keeping always the thought forward

and learning to breathe the long meaty breath

taught by Walt and Charles and Jack,

and yea Ezra and Allen too. Not that such breathing comes easy,

it’s just my stumbling song.

 

Plump raindrops pat now and then rolling off the drizzle-spangled

box-elder that crowded out the nettles and the zany ragweed,

squatters taking over when the great elms died.

Sing woodpecker holes in the elm-stub, then,

and pay attention to the inside ticking words blabbing on

if you can find them as some jet plane hogs breathless the sky.

 

Cross-legged then and half-assed up to hips

in paraphernalia not of the smoking kind God forbid

but of the clatter kind, L.C. Smith dank old hoss,

and the creaking saddle of the senses,

hanged-up pauses between clogged-up phrases!

 

This much gangly language spun off a grungy Smith

makes a spongy dungeon of a poem prosy, but let it

hang where it may, dangle in the crux-fire

where the words come bubbly-troubley and the instant

censor says "No, you fool, it won’t do!"

But it’s on, it’s begun, it’s got to clear the censors

in long leaps of limby language.

 

They were never wrong, the old masters,

if they could see me now, plump with a great tomato

down the gullet, rich in juicy smear

and with a hot cup of herb tea, snug

in the drippy tent, listening to the clunky things

rattling in the bulgy word-cupboard, setting the table

here in pell-mell what-the-hell ring-the-bell fashion

clattering out tomato-y succulent poems!

So the ironic dovetails and nosedives

incestuous spirals and brittle struts of wit

nosetails and dovedives

until the bi-plane crashes duality.

Oh yeah I want to singah—

now comes a little songah:

 

Long ago in the Sangha

Divas danced in the Dhamma.

They could do such wicked mambas,

in the hills or on the pampas.

They danced for all your papas,

they danced inside your mamas.

 

The end of the first canto

is the end of Canto the First, number one.

Nothing much has been done.